Within four years, more than a quarter of Australians will have signed up to an online television subscription service, a new report says.

And Internet Protocol Television (IPTV), other subscription entertainment services and new mobile media apps will drive growth in Australia's media and entertainment industry of 18 per cent over the next five years, it says.

PricewaterhouseCoopers's annual media report forecasts a compound annual growth rate of 4.1 per cent, but warns revenues will continue to decline in newspapers and magazines, despite the partial offset of new digital subscriptions.

"However, these new business models require time and patience to be bedded down properly,'' said PwC's media analyst, David Wiadrowski. ''It would be a mistake to look for instant or short-term success when experimentation is crucial at times of change."

The report forecasts circulation declines for newspapers of 7.6 per cent a year over the next four years, and an annual fall in advertising revenues of 5.1 per cent.

By 2017, 27 per cent of Australians will have switched to an IPTV subscription service, close to the current 30 per cent penetration rates of pay TV, the report says.

''This makes IPTV a strong market contender among the boxes vying to control content shown in Australian living rooms. It also raises a key question: will IPTV grow the market or replace existing content services?

"While we expect IPTV to provide an attractive alternative to the more expensive cable or satellite delivered subscription TV service, its success will depend on what content IPTV offers. Niche content such as foreign language channels should work well in the IPTV environment.''

Media organisations are following structural and regulatory challenges, with the government considering its position on industry reviews, including one from the convergence review proposing to extend content quotas to a broader number of companies and lifting the amount of some local content to be produced.

PwC pointed to the convergence review's research that showed ''some types of Australian content - drama, documentary and children's programming - would all but disappear if it were not regulated, due to high costs of production''.